INTERVIEW: C.R.S.T [No Hats No Hoods]

The Welsh quartet of C.R.S.T. have made a big impact on us of late. First jumping out with their garage tinged selections in promo mixes, their solo and collected productions started to seep out in the wide world of the internet through releases on perfectly formed labels like Well Rounded and Car Crash Set. Bordering the lines between 2-step, syncopated funky and straight house, their remixes have infiltrated our Hivemind.fm selections completely, seemingly popping up without fail, in the run up to the prep for every show.

With their Good Love EP for London based label No Hats No Hoods, out in shops imminently, plus work forthcoming on label’s like Doc Daneeka’s Ten Thousand Yen and tracks like ‘Cervantis Riddim’ heating up our regularly checked blog network, we caught up with the guys to figure how their formula works with 4 pairs of hands reaching for the mouse at any one time and grab our the 60th mix in our ongoing series.

SR: Can you provide those who may not know you with a bit of background info?

C.R.S.T: C.R.S.T stands for Chesus, Rodski, St.Rowdy & Tony Blitz… We are 4 DJs/Producers from Wales that focus on making garage and house and all the stuff in between, basically we like to make tunes that get you moving in the club. We have been making tunes together and playing out as C.R.S.T for just over a year now and things have been moving pretty quickly. Chesus, St.Rowdy & Tony Blitz are from Barry and we have known each other from a very young age and all have similar interests in music. Rodski is from Ystrad Mynach and met Chesus selling trainers in Size (Cardiff). Chesus & Rodski started playing at a few parties together and became Chesus & Rodski and shortly after, came to Barry and started making beats with St.Rowdy & Tony Blitz so it made sense to all come under one name eventually as we were churning out so many tunes in a short space of time.

Outside of music who are you guys? What do you do on the daily?

Chesus is a part time scrappy and has his own microphone to shout "Rag n Bone" out of the window of his transit tipper.

Rodski is half man half mattress so if he's not making beats or on chat roulette, he's sleeping.

St.Rowdy (aka JDS) works at a heating spares company, if you need to know about a boiler, he's your man! you can usually find him at the back door of his works slyly passing his non ferrous scrap metal to chesus.

Tony Blitz works for a large law firm in Cardiff dealing with selling repossessed houses.

How did you first get into making music? What was it that infected you to do so?

Like we mentioned previously, 3 of us are from sunny Barry and have known each other since our first pube, so as we were interested in the same music and all loved to DJ, it seemed like the obvious choice to start making tunes together. Chesus originally got into music by playing garage in the early years and then went on to focus on hip hop as Metabeats. At the same time Tony Blitz was mainly focusing on producing drum & Bass and St.Rowdy was the scratch master of us all. Rodski started off playing breakbeat as a young student. Over the last year and a half, we have all been bit by the garage bug, some call what we do 'future garage' but its straight garage and that’s what we are trying to bring back, all good vibes!

What’s your production set up like? How does it work with the 4 of you producing? Do you all just make your own shit and merge it... ? You’ve had a lot of releases in a short spurt – do you attribute that to the proficiency of the core quad, spewing out beats?

We don't have a set way of working although we have adopted a 'musical chair' style production system. basically if you are at the helm ,and are not getting any ideas out that are any good, you move over and let someone else take over and have a go. We think it helps get a good idea out quick. Sometimes one of us will start something and bring it to the studio and we will all work on it to get it done and sometimes we will all make our own tunes and put it out under the C.R.S.T name. We like to keep a consistent workflow so these techniques allow us to do so. The current main studio is at Tony Blitz's yard but Chesus' studio is nearly done also so expect even more beats to be flying out!

How would you describe your sound?

That’s a hard one, we have made a few different styles but at the moment I think it’s very 'speed garage' orientated.



What is an inspiration for you?

Hearing good new music, there are a lot of up and coming producers and some of the stuff that’s getting played at the moment is amazing.

Where do you see your sound developing?

As there is 4 of us, there is always going to be a number of styles that are involved in any particular tune so it’s hard to say if it will be more on the housey tip or 2step tip. Who knows, we may even develop our own genre and call it Basrastep!

What’s the scene like in Wales? Any recommended jams?

There are a few good nights in Cardiff, there is a Friday night in Cardiff Arts Institute which always has a good little line up; as well as a new night called Signature which also has some good acts. Martyn was down last week, also Mount Kimbie... To be honest, we are always in the studio if we are not playing out so we don't have time to check out too many nights.

Are there any producers you rate that the world should know about? Any peeps not getting the props you think they deserve?

Well there is a big pool of talent in Cardiff: Monky & Stagga have been killing it for a while now and there is Darkhouse Family which Chesus is one half of. Diverse Concepts has been making great music for a while now and also Didz & Chico. People need to check out the stuff coming out from people like Magenta, Mr Healan, Lung and Dan Marshall too.

Like we said, there is a lot of talent, it’s a shame there are not enough nights to showcase them all.

Your NHNH release is out. What else have you got forthcoming?

We have a track coming out on Ten Thousand Yen (Doc Daneeka's label) called 'Roulette' which is the AA side of Didz & Chico – ‘Something New.’ It's a dancefloor smasher for sure! We have a more techno styled release through Catapult Records with a remix from Cooly G and then we have the 2 part EP (6 tunes) coming out through 'Cheap Thrills' early next year. We also have a number of remixes coming out at various dates in between but we have no idea when, including remixes for Kele (Bloc Party), Diamond Lights, Monarchy, The Drop & Mista Men.

We have also just produced the BBC Radio 1 United Nations Theme track which was a bit weird, they gave us 4 lame records to sample and make a beat out of. we did it and you can download it from our soundcloud for free!

DOWNLOAD: C.R.S.T - BBC Radio 1 United Nations Theme

Tell us a little bit about the mix you’ve put together for us…

As you can see we had to cram some garage in. Especially 'Melody' by Masterstepz and the Baffled remix of 'Steppin Through Time'. Another one is the Julio Bashmore remix of Mosca's ‘Tilt Shift.’ Have a listen and you'll see why.

It’s more like an inspirational mix of old and new.

Any words of wisdom, for our readers?

Don't throw away your metal.

::

DOWNLOAD: C.R.S.T. – Sonic Router Mix #60



TrackList:

01. Behling and Simpson – Stress
02. Jera – Another One
03. Mosca – Tilt Shift(Julio Bashmore Remix)
04. JTRP – You Want It
05. Hackman – Made Up My Mind (Hodge’s Undecided Mix)
06. Zomby – A Forest
07. Midland and Ramadanman – Your Words Matter
08. Somore ft. Damon Truett – What You Want (Industry Standard Mix)
09. Tuff Jam – Need Good Love (Tuff Jam D.I.Y. dub)
10. Jeremy Sylvester – Chunky Beats
11. Phillip Bailey – Steppin’ Through Time (Baffled Remix)
12. Mistamen – What Uou Do (C.R.S.T. Remix)
13. Masterstepz – Melody
14. Tina Moore – Nobody Better (Dem2 Unlimited Dub)
15. Didz & Chico – Can’t Compare

The Good Love EP is out on the 15th November on No Hats No Hoods. It features remixes from Doc Daneeka, Mosca and D Malice; oh and it bangs.

Link:
www.myspace.com/crstuk

INTERVIEW: SRC [No Hats No Hoods/Numbers]

After releasing singles on imprints like Rwina and Numbers, Birmingham based producer SRC has this week dropped the Ryouko EP on the No Hats No Hoods label. Flicking from the oriental strings of the title track, which capitalises on that stone cold boom bap groove present in Joker's earlier work, he lilts out the electronic funk on 'Quarterback Circle' and 'Switch Up' working in a vein similar to Terror Danjah, i.e. incredibly prolifically. Nestling perfectly amongst the new wave of ultra melodic grime that powers the beat out under the torrent of synths, he's adept at infusing those primitive 8 bit melodies that made early computer gaming such a hypnotizing experience, into his work.

With his youtube demonstration videos providing a unique insight into his methods in the studio we caught up with him, shot him our semi tailored generic questionnaire and scooped our 52nd exclusive Sonic Router mix.

Sonic Router: Can you provide those who may not know you with a bit of background info?

SRC: Yeah, I’m a producer/DJ from Birmingham, UK. I’ve been making beats for about 6 years. Recently put out two EPs (Gold Coinz & Goin’ Out). Just about to release the third, Ryouko EP on No Hats No Hoods.

Outside of music who are you? What do you do on the daily?

Apart from the regular stuff like chilling out with friends & work etc, there’s no real “outside of music” for me. I’m making/listening to/thinking about music most of the time and tend to fit anything else around that.

How did you first get into making music? What was it that infected you to do so?

I first got into making music after being into garage/early grime. I was always listening to the pirate stations in Birmingham. Got “music 2000” on PS2 to try and make my own beats. Eventually got a PC and carried on from there.

What’s your production set up like? What’s your favourite bit of kit in the studio?

I’m always buying and selling bits of equipment but right now it’s at its most basic. A standard PC, a pair of studio monitors, a mixer and a MIDI keyboard. The MIDI is my favourite though, it’s an M-audio Axiom that I’ve had for years.



How would you describe your sound? You share a brashy kind of computer grime influence thing with people like Swindle etc…

It’s hard to describe in brief, but my current stuff I just think of as a type of instrumental grime. A lot of my tracks are influenced by retro games because I really like the way the melodies were constructed. They’re memorable and fun and that’s what I try to bring out in my own stuff.

How did you get into this current flux of dubstep?

I think it was just the support from DJs other than the specialist grime ones. Having DJs like Oneman, Mary Anne Hobbs, Jackmaster etc maybe made my tracks more accessible to people who don’t particularly check for grime as a whole.

Your YouTube beat tapes really interest me. Like you make the process look so simple. What made you start doing them? What’s the thinking behind them? Like just to show the layers and different sounds?

The beat videos are just my fun, most don’t end up finished but I enjoy doing them. I always thought the process of making a beat is as interesting as the end product and decided to do some videos.

I mainly did sampled ones on the MPD because I find I can get them done quickly in comparison with my grime beats and they came out more entertaining to watch.

Where do you take inspiration from when making music?

It’s hard to say, I guess I’m inspired by everything in a way. If I’m lacking ideas or have a block I’ll normally listen to some Chinese folk music, reggae, old grime sets, and game soundtracks or anything to give me a good vibe.



You’ve got/had records on Numbers/Rwina/Butterz and your next release comes out shortly on No Hats No Hoods. What’s the deal, what can we expect from the release?

This release is a one I’m really happy with. The title track 'Ryouko' is a one of my personal favourite tracks so I’m glad I got to bring it out, it’s different to any of my other tracks so far as it has the Japanese folk influence.

'Quarter-circle back, kick' (Quarterback circle) is in a similar vein to Goin' Out but twice as excited and 'Switch Up' is a really fun grime beat. Anyone that liked the last two EPs should enjoy this one just as much.

What other projects have you got in the pipeline? What’s happening with you in the rest of 2010? Gigs, releases, personal growth etc?

The next thing will be my track, 'Goomba VIP' which will be a part of the 'Quality Street EP' which also features Terror Danjah, Mr Mitch & Royal-T. Apart from that I’m working on more tracks for release and just playing out more. It’s been such a good year so far I’m just looking forward to working twice as hard for the rest of it.

Tell us a little bit about the mix you turned in for us… I mean you said on twitter it was one of the most fun ones you’ve done. What made it so? Are there mad exclusives on there? Etc etc…

Yeah I enjoyed doing this mix a lot; it’s the 1st mix I’ve done with that many of my own tracks in.

It’s not really filled with exclusives but features some of my favourite tracks from people like Spooky, Royal-T and Kavsrave. I think their tracks all compliment mine even though they all sound so different.

It’s also a good representation of the tracks I’ve been playing out live recently.

Any words of wisdom, for our readers?

Be punctual, lateness can be costly.

::

DOWNLOAD: SRC – Sonic Router Mix #52



Tracklist:

01 SRC - Ryouko
02 Gudio - Mad Sax
03 SRC - Powerman 9
04 SRC - Headspin
05 SRC - Quater-Circle, Back, Kick
06 Terror Danjah - Bipolar
07 Royal-T - Damn It
08 Spooky - Iron Gates (Remix)
09 SRC (Unamed)
10 Swindle - Molly
11 Kavsrave - Baggage Handler
12 James Blake - Buzzard & Kestral
13 Terror Danjah - Air Bubble (SRC Remix)
14 SRC - Sex On The Beach
15 SRC - Paper Aeroplane
16 SRC - Blue Grime Zone
17 SRC - Sort Of A Start
18 Gemmy - Maroon Chant
19 Crystal Fighters - In The Summer (SRC Remix)
20 SRC (Unamed)
21 SRC - Gold Coinz
22 SRC - Be Down
23 B. Bravo - Computa Love

Link:
www.myspace.com/src411

Photo: Steve Braiden

INTERVIEW: Rude Kid [No Hats No Hoods]

If you’ve been listening to grime at any point over the last three years you have undoubtedly heard Rude Kid’s beats. He’s everywhere, currently being vocalled by every MC in the scene and spun by every DJ going, causing a stir with tracks like ‘Sing 4 Me’ which featured Ghetts on mic duties, and ‘Electric’ which is receiving a raucous reception wherever it gets dropped. After 3 vinyl releases to date, the Are You Ready EP, Electric and the Jack Daniels EP, on the No Hats No Hoods label, Rude Kid dropped his debut long player - also called Are You Ready? a title taken no doubt from his recognisable production watermak- a collection of instrumentals showcasing his energetic productions style for the label.

We caught up with him to shoot him some questions and get the low down on his projects…

Sonic Router: Can you provide those who may not know you with a bit of background info?

Rude Kid: My music name is Rude kid some heads call me Rudes. I’m 22 years old, come from London, and am a music producer/DJ. Ive been doing music for about 3 years properly but ive always loved listening to music from when I was very young.

Outside of music who are you? What do you do on the daily?

I don’t think I do much else beside music, but outside of music I’m just a normal guy I watch a lot of films and spend time with my family and friends. Im very close to them and I love having a laugh. On a normal day if im not doing music I will just relax play abit of ps3.

How did you first get into making music? What was it that infected you to do produce?

I used to listen to a lot of pirate radio before I started making music and got influenced by the energy the music had. I always wanted to hear my songs getting played on radio or raves it was like a dream I had to make reality, which I think I’ve achieved now. I was introduced a programme called FruityLoops by a friend in school and every since then ive made music. Nobody taught me how to use the programme I had to learn everyting myself which took long but now I can use it with my eyes closed.

What’s your production set up like?

I’ve got a very basic setup: only Fruityloops, a midi keyboard and some good speakers, that’s all I need. Right now im making good music with just the basic setup and it sounds good on big speakers in the clubs or on radio. But one day when I get my own studio I will have to get more equipment.

Where do you take inspiration from when making music?

I think just everyday life, for example a lot of my songs are named after what I’ve done that day, for example I made a instrumental called ‘Dentist’ which is on my album. That was made after I came back from the dentist and how I was feeling. It all depends on my mood and how I’m feeling on the day aswell. I also get inspired by a lot of hardworking musicians and when I see them succeeding that just makes me want to work extra harder. I feel I still have a lot to prove to show what I’m capable of.

How would you describe your sound?

Very unique and alien... I feel I have my own sound and that is one of the reasons people paid attention to my music in the first place, because it was something different to the norm. A lot of producers make beats that sound the same as their previous beats but I don’t do that. If you listen to my instrumental album you will see how many different styles and sounds I use. I got tunes like ‘Jack Daniels’ which is more dance music, ‘Electric’ which is like a dubstep sound; ‘Leave me alone’ which is a calm mellow tune. Basically the list goes on. This instrumental album I’ve got out now shows of all my styles.



How did the ‘Are you ready?’ sonic signature come about?

I sampled that of one CD I had long time ago I forgot what it was, but I used to put it in a few instrumentals I was making. Then when I started to leave it out people were like “where’s the ‘Are You Ready?’”. So that’s been my signature ever since… I’ve had that since I started making music. I also think its important for a producer to have their own signature because with me if I didn’t have ‘Are You Ready?’ before the drop of the beat hardly anybody will know I made it. So it helps having a signauture sound.

Your beats are used by some of the biggest names in grime, but what is your personal favorite vocal an emcee has laced you with?

I’ve had so many good vocals on my beats it’s hard to say; my most successful song has to be ‘Sing 4 me,’ but my favorite is Skepta ft Wiley – ‘Are you Ready?’. That song has a lot of energy and it’s a song everyone can sing along to as well. Everytime im DJing at a club and I drop that tune it always gets a good reaction.

I did a remix for ‘Man Like Me’ with their single ‘London Town’ and JME was on the remix aswell. I like that vocal aswell because its different reminds me of old skool Garage. Also the remix is going to be on the next edition of DJ HERO the game. When I got told it was gonna be on there it didn’t sink in, I was shocked to be honest, but it’s a very good look for me, JME & Man Like Me.

What MCs are you working with right now and who would you like to work with that you haven’t yet?

I think ive worked with nearly every big MC, there’s a few I haven’t worked with yet though, but I’m more looking forward to working with singers right now and experimenting with different styles. The only MC I would wanna work with is Dizzee Rascal right now. Hopefully in the future you might hear something from Dizzee and me.

You hooked up with Terror Danjah for ‘Best Crawler’ and killed it, are you working on more bits together?

Yeah definitely Terror is a good friend so its not hard to work on another beat together. The ‘Best Crawler’ was made very randomly. I was in his studio and he had the same instrument VST I used for ‘Sing 4 Me’, so I came up with the idea for me to use the ‘the best’ sounds and for him to use the ‘Creepy Crawler’ sounds. I made my melody then he had a perfect beat already which he had made before and it fit perfectly to what I made. ‘Best Crawler’ is out now on my 12”, Jack Daniels EP, out in all good record stores. It was good working with Terror Danjah because he is one producer I used to look up to when I was younger and for him to be telling me my beats are mad means a lot. He also talks a lot of sense and I know he’s seen a lot in the music scene, so he always gives me tips or advice when I need it.

Tell us about the new album on No Hoods No Hats: ‘Are You Ready?’ How did it come about and what had to be on it?

Ive had releases with No Hats No Hoods before and that’s my management so it makes sense for my stuff to come out with their label. It was my plan to have the ‘Are You Ready?’ CD come out in 2009, but a lot of planning went into the CD and in the end we all decided to make it more of an album rather than just a instrumental CD, so a lot of tunes got taken off and a lot got put back in. I’m very happy with the instrumentals that have been put on the album. Over all the CD describes how many different styles of music I have, none of them sound the same.

I think my favourite instrumental on the CD has to be ‘Electric’ I remember the day I made that beat; it made me get up from my seat and think about what I’d just done haha. That beat is very powerful and I know a lot of music listeners and DJ’s have been waiting for it. But to be honest every beat on the album is my favorite they all have their own styles and I’m very proud of myself for making them.



How are you feeling about the state of grime today?

Grime right now is still growing. It feels like people aren’t giving it a chance, but there is so much good music and songs being made in the grime scene. Hopefully people will see that and give it the break it deserves. I know a lot of people are making mainstream music which doesn’t matter at all along as they stick to making grime even if they do other genres of music. Like I make a lot of other genres of music but I will always be making grime at the same time.

The grime vinyl releases from labels like No Hoods No Hats, Hyperdub, Planet Mu, Butterz, Rwina, etc have been picking up of late, do you think that this more DJ based material is bringing more dance influences back into grime? And vice versa?

Definitely having vinyl out is good because I know there are still a lot of people who buy them. I do agree with some people who say it should come digitally as well. Right now the instrumentals being released on vinyl are all tunes that can get played in a dance and make people go crazy which is what is needed .

What other projects have you got in the pipeline?

I’ve got a lot of projects coming I want to make another instrumental music video I’m going to be working on some music with singers, Another EP and I defiantly want to make a Vocal Album.

Any words of wisdom for our readers?

Stay positive and belive in yourself.

Words: James Balf

Rude Kid’s ‘Are You Ready’ CD is out now on No Hats No Hoods.

Links:
www.myspace.com/rudekidproductions
www.myspace.com/nohatsnohoods

RECOMMENDED: Rude Kid – Jack Daniels EP [No Hoods No Hats]

"Are you ready!?!" That’s Rude Kid’s trademark sonic stamp - much like the 'Ross Car Ross Car Ross Car' sting that Roska uses or the manic cackle Terror Danjah repeatedly creeps out – and those three words have become synonymous of incoming quality when you hear it in the mix. The grime producer has been a staple of sets for so long now: shows or mixtapes hardly go by without you hearing that familiar phrase. It’s not his first time out on the No Hoods No Hats label either with the conveniently titled ‘Are You Ready EP’ preceding this one by a good few months.

The title track ‘Jack Daniels’ is a freak hybrid of hard pulsing techno, dubstep, funky and grime. The four to the floor kicks and beefy bass pulses wouldn’t be to out of place in an old Laurent Garnier set next to ‘Crispy Bacon’ or ‘Acid Eiffel’ but they’re equally at home in the boxes of grime DJs too; it’s a track that bangs hard and will always add energy to any set. Rude Kid follows this with the instrumental to his shake up of Man Like Me’s ‘London Town,’ a bubbling garage number with a grime flex, piano licks, skippy drums, rudeboy bass that pretty much hits the spot.

The flip is the grimiest: ‘Emergency’ brings out the big guns with its dirty, grizzly bass tones, raw funk and cheeky rave stabs. ‘Best Crawler,’ a collaboration with recent Hyperdub signing Terror Danjah, is the highlight of a solid package though, it’s got the hard-funk and raw power of both producers, along with both of their sonic trademarks. Plus the flip between huge bass pulses, grimy violins, Gameboy-esq bleeps and propulsive, musical trance-like elements just kills it.

Words: James Balf
Out: Now

Links:
www.myspace.com/rudekidproductions
www.myspace.com/nohatsnohoods

DOWNLOAD: Martin Kemp - XLR8R Podcast

DL on sight.

Martin Kemp's put together a mix for XLR8R, something you really should not miss out on. His debut solo 12", 'After The Night' b/w 'Aztec' should be out now at all good retailers on the Blunted Robots label - look out for the RA review coming shortly.

Kemp had a track on a split 12" with Mickey Pearce, also on Blunted Robots, earlier this year, he has remixed Royal T's grime anthem '1UP' - also out now - and his track 'Bowzer' is set to appear on the Hold Box Flat imprint early next year.

For more info on Martin Kemp why not revisit our interview with the man himself here:
http://sonicrouter.blogspot.com/2009/08/interview-martin-kemp-blunted-robots.html

DOWNLOAD: Martin Kemp - XLR8R Podcast

Tracklist:

01 Tuff Jam "Experience" (Casa Trax)
02 Ultymate feat Jacquee Bennett "Vybe (Todd Edwards remix)" (i)
03 DJ Lewi "Hold Me Tight" (Moist)
04 Martin Kemp "Aztec" (Blunted Robots)
05 Roska "Feeline (VIP mix)" (Roska Kicks and Snares)
06 Martin Kemp "Fix"
07 Mya "Free (Brackles Bootleg Remix)"
08 Brackles & Shortstuff "Pipey D" (Blunted Robots)
09 Mosca "Square One (Greena remix)" (Night Slugs)
10 Geiom "Sugar Coated Lover (Brackles & Shortstuff remix)" (Berkane Sol)
11 Hem and Terrible Shock "On a Mission (Shortstuff remix)" (Berkane Sol)
12 Ellie Goulding "Under the sheets (Brackles remix)"
13 Zinc feat. Slarta Jon "Flim (Horsepower remix)" (Bingo)
14 Martin Kemp "After The Night" (Blunted Robots)
15 Mickey Pearce & Shortstuff "Tripped Up" (Ramp)
16 Brackles "6am El Gordos" (Brainmath)

Link:
www.myspace.com/themartinkemp

EVENT: Trouble Vision vs. Dirty Canvas

Trouble Vision collide with Dirty Canvas next Friday for a Christ honouring shindig at Corsica Studios, featuring a stellar line up including Sinden, Heartless Crew, Terror Danjah and Newham Generals.

Facebook Event // Tickets

To celebrate we've been given a copy of the brand new No Hats No Hoods (Dirty Canvas' record label - yep, them that released 'Next Hype') 12" release from Royal T, his '1UP or Shatap EP,' which features a remix from the ultra suave Martin Kemp (audio of which is in his SR mix) alongside two extra tracks from Royal T and a refix of 'Beatfighter' from Night Slugs co-conspirator Bok Bok.

To scoop the vinyl simply email us the word thats missing from the statement below:

Q: The man like Tempa T definitely will not give you none of your ____ back?

A: CDs
B: DVDs
3: Bonsai Trees

The winner will be announced before Xmas.



Links:
www.myspace.com/dirtycanvas
www.myspace.com/intothefraydj

VIDEO: Tempa T - Next Hype [No Hats No Hoods]

Digital release of 'Next Hype' out now from all good outlets, remixes from Brackles, Plastician and Scratcha DVA out June 1st on No Hats No Hoods.

Links:
www.myspace.com/nohatsnohoods